Kinsley interprets Bagalamukhi as “she that has the face of the crane”. Bagalamukhi is never depicted by using a crane-head or with cranes. Kinsley believes the crane’s conduct of standing still to capture prey is reflective in the occult powers bestowed by the goddess. French Urdu We want folks all https://spencervekml.jts-blog.com/34193157/the-smart-trick-of-sadhna-that-nobody-is-discussing